baroque music, double-bass strings, early music, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
5. Conclusions: Be Practical!! So far, you can probably guess my conclusion: If you aim to follow the treatises you shall not give a letteral interpretation but a practical one, and admit that equal feeling, equal tension, and scaled tension, had the same meaning: the aim is always playing on an even instrument. But if we cannot trust
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2. The Experiment …as they admit also in the treatises, pure math does not work! “If the strings have the same thickness and length and one produces a low note, which is a C, when it is stretched with a weight of 1 pound, the other must be stretched with 4 pounds to make it
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1. The Problem Let’s get started: the factors involved and their relationship: In our equation we have so many fixed factors, that we end just with a very simple equation: (at a given pitch and string length) gauge=tension*(under squared root and multiplied for a coefficient for gut’s mass). If we change one of them, the other
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