baroque music, double-bass strings, early music, equal tension, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
5. Conclusions: Be Practical!! So far, you can probably guess my conclusion: If you aim to follow the treatises you shall not give a letteral interpretation but a practical one, and admit that equal feeling, equal tension, and scaled tension, had the same meaning: the aim is always playing on an even instrument. But if we cannot trust
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4. Complications! Another thing affecting a lot our pure math is the arching of the bridge: of course low first (and fourth? ) need to be bigger than high third and second. So, scaling tension is required Plucked or bowed instrument: the big string offers more friction under the bow so someone may think a smaller string
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from Fomrhi Quarterly Bulletin I collected in two pdf files most of the articles appeared in the Fomrhi Quarterly Bulletin related to strings from 1990 up to 2018. I thought that you might appreciate them. If you do, please consider subscribing to them at the link below. It’s worth every pound (and it is really just
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