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1. The Problem
Let's get started: the factors involved and their relationship:
In our equation we have so many fixed factors, that we end just with a very simple equation: (at a given pitch and string length) gauge=tension*(under squared root and multiplied for a coefficient for gut’s mass).
If we change one of them, the other follows (to maintain the same pitch).
What do we mean by equal feel, equal tension and scaling tension?
There are many factors, in a violin, which interfere with the results of our maths:
2. The Experiment …as they admit also in the treatises, pure math does not work! “If the strings have the same thickness and length and one produces a low note, which is a C, when it is stretched with a weight of 1 pound, the other must be stretched with 4 pounds to make it
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baroque music, double-bass strings, early music, equal tension, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
3. Mystery unveiled: Strings Do Stretch!! …but… not in the same way, not of the same cohefficient… it depends on how are made and, first of all, from their gauge We need to consider the many factors affecting our pure math calculations: the first is, of course, the string! A string which is low twisted and maybe
Read Morefrom Fomrhi Quarterly Bulletin I collected in two pdf files most of the articles appeared in the Fomrhi Quarterly Bulletin related to strings from 1990 up to 2018. I thought that you might appreciate them. If you do, please consider subscribing to them at the link below. It’s worth every pound (and it is really just
Read More4. Complications! Another thing affecting a lot our pure math is the arching of the bridge: of course low first (and fourth? ) need to be bigger than high third and second. So, scaling tension is required Plucked or bowed instrument: the big string offers more friction under the bow so someone may think a smaller string
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