Equal feeling, equal tension – part 6
…and wound strings? …so once we got the idea, we can face the question: and with the wound ones? should we increase or decrease the tension? (originally a facebook live)
Read MoreThe breaking index rule.
The most important rule you cannot escape from (as far as you are voted to gut strings): at a given string length, a string of a given material, will always break at the same pitch, no matter how big it is.
Mindblowing or intuitive? Probably both of them.
Looking forward to your comments below
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baroque music, double-bass strings, early music, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
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Equal feeling, equal tension – part 2
2. The Experiment …as they admit also in the treatises, pure math does not work! “If the strings have the same thickness and length and one produces a low note, which is a C, when it is stretched with a weight of 1 pound, the other must be stretched with 4 pounds to make it
Read MoreEqual feeling, equal tension – part 4
4. Complications! Another thing affecting a lot our pure math is the arching of the bridge: of course low first (and fourth? ) need to be bigger than high third and second. So, scaling tension is required Plucked or bowed instrument: the big string offers more friction under the bow so someone may think a smaller string
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