Is Gauge the main thing?

0  comments

Is Gauge what really matters most when we are looking for the right string?

Yes, of course, Gauge is an objective measurable factor in a string. Easy measurable. And it is the thing early music brands use to label a string, so it is universally accepted as THE thing we should matter of.

Gut can stretch more or less, depending on the quantity of twisting received, and on the chemical treatments made to have it stiffer. So we can guess something looking at the string, trying to tip the end on our fingertip to feel the stiffness, but we will not have a precise mathematical coefficient for our calculation of the correct gauge unless we make experiments and we are keen in math as engineers are.

That's why a gauge is a consistent trustable factor to reorder our strings only if we stick to the same manufacturer. If we change manufacturer, we will probably have to adapt our gauges to his kind of string.

Moreover, the gauge has no value at all when we speak of wound strings. Not only we cannot see and value the gut core features, if there is a silk cushion between core and wire, but we cannot know, by simply measuring the external gauge, the gauge of the metal, the ratio between metal and core, which is the main component of a wound string.

This is why when we order or reorder a wound string, the gauge is not something useful to the string maker to understand what is it.

And this, in the end, is why we need to test empirically our set of strings when we change brand or order a different string. 

This is the official pro technique.

The one I use for my strings is slightly different: instead of the pencil I use my teeth to keep the loop open, more practical.


Tags

baroque music, double-bass strings, early music, gut strings, gut strings maintenance, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings


You may also like

issues to manage or to refuse?

Breaks are not unpredictable, they’re just one of the many things we have to learn how to avoid Short life of the string: unfortunately a common problem today. Let’s try to give it a definition so that we can understand when our strings are normally working, and we just have to accept there is a

Read More

Mersenne’s test

Listen to the sound of your strings before even using them! Described from Marin Mersenne in Harmonie Universelle (1636), this test is used by string-makers to check if the string is even or false, by watching if the fuse of the string is regular or not. But there’s something more for a sensible musician: try

Read More

Tuning problems with wound strings

Do you ever struggle during a concert for false intonation… just to discover that while your pure gut strings were going down, the wound ones were going up? please comment below to share your experience and suggestions!

Read More