0 comments
...and wound strings?
...so once we got the idea, we can face the question: and with the wound ones? should we increase or decrease the tension?
(originally a facebook live)
Tags
baroque music, double-bass strings, early music, equal tension, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
4. Complications! Another thing affecting a lot our pure math is the arching of the bridge: of course low first (and fourth? ) need to be bigger than high third and second. So, scaling tension is required Plucked or bowed instrument: the big string offers more friction under the bow so someone may think a smaller string
Read More3. Mystery unveiled: Strings Do Stretch!! …but… not in the same way, not of the same cohefficient… it depends on how are made and, first of all, from their gauge We need to consider the many factors affecting our pure math calculations: the first is, of course, the string! A string which is low twisted and maybe
Read More5. Conclusions: Be Practical!! So far, you can probably guess my conclusion: If you aim to follow the treatises you shall not give a letteral interpretation but a practical one, and admit that equal feeling, equal tension, and scaled tension, had the same meaning: the aim is always playing on an even instrument. But if we cannot trust
Read More