baroque music, double-bass strings, early music, equal tension, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
1. The Problem Let’s get started: the factors involved and their relationship: In our equation we have so many fixed factors, that we end just with a very simple equation: (at a given pitch and string length) gauge=tension*(under squared root and multiplied for a coefficient for gut’s mass). If we change one of them, the other
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“I couldn’t play without varnished strings. Yes, I know they are not historically correct, but there is no other way for me, as my hands are so sweaty and I am so busy, that I move from hard air-conditioned to hot and humid environments even trice per day.”Is this familiar to you? I hear this
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…and wound strings? …so once we got the idea, we can face the question: and with the wound ones? should we increase or decrease the tension? (originally a facebook live)
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