Equal feeling, equal tension – part 5

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5. Conclusions: 

Be Practical!!

So far, you can probably guess my conclusion:

If you aim to follow the treatises you shall not give a letteral interpretation but a practical one, and admit that equal feeling, equal tension, and scaled tension, had the same meaning: the aim is always playing on an even instrument.

But if we cannot trust pure math, what we can do?

Finding our perfect gauges, perfect for our instrument, our fingers and our preferred brand or kind of strings, it is a matter of just a few empirical tests.

..and, just in case you missed it, here is my post about how to do it:

Choosing string Gauges

A simple method to find the string gauges perfectly fitting your instrument Did you ever had the sensation that something was not balanced in your set of strings, but you couldn’t decide wether going thinner o thicker? It happened so many times to me, until I learned this simple trick! You will need no maths or treatises,

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Here are some more resources. I highly recommend the articles by Daniel Larson because he keeps it very simple


Tags

baroque music, double-bass strings, early music, equal tension, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings


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Equal feeling, equal tension – part 2

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Equal feeling, equal tension – part 1

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