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from Fomrhi Quarterly Bulletin

I collected in two pdf files most of the articles appeared in the Fomrhi Quarterly Bulletin related to strings from 1990 up to 2018. I thought that you might appreciate them. 

If you do, please consider subscribing to them at the link below. It's worth every pound (and it is really just a small bunch of pounds).


Tags

baroque music, double-bass strings, early music, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings


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Equal feeling, equal tension – part 2

2. The Experiment …as they admit also in the treatises, pure math does not work! “If the strings have the same thickness and length and one produces a low note, which is a C, when it is stretched with a weight of 1 pound, the other must be stretched with 4 pounds to make it

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Equal feeling, equal tension – part 4

4. Complications! Another thing affecting a lot our pure math is the arching of the bridge: of course low first (and fourth? ) need to be bigger than high third and second. So, scaling tension is required Plucked or bowed instrument: the big string offers more friction under the bow so someone may think a smaller string

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How a set was composed

How a set of strings was composed: keep it simple!  With only 4 “gauges” of pure gut and two gauges of silver wire they could cover all the strings from violin to cello!

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