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Good gut strings: where do they come from?
What does really make a difference for the quality of a gut string: in my opinion, the first factor which really affects the final quality of a string is that the numbers of gut strands used is balanced to the gauge we want to obtain. This is why they used bigger guts for bigger strings, and smaller gut for smaller strings.
Try to imagine an extreme situation: If there will be not enough strands (like two) the string will be hardly polished and weakened.
This is why Paganini asked for cantini made out of four strands, when normally they were of 3...
twisting is the main factor to the capacity of our string to vibrate....
Imagine a string made with too many strands, like 100 (for a normal small gauge): it would be almost impossible to twist it and it will become stiff. Imagine a big rope of a ship. There is a close relationship between the number of strands and the twisting to obtain stiffness, resistance, or elasticity....
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baroque music, double-bass strings, early music, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
Do you ever struggle during a concert for false intonation… just to discover that while your pure gut strings were going down, the wound ones were going up? please comment below to share your experience and suggestions!
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Read More“I couldn’t play without varnished strings. Yes, I know they are not historically correct, but there is no other way for me, as my hands are so sweaty and I am so busy, that I move from hard air-conditioned to hot and humid environments even trice per day.”Is this familiar to you? I hear this
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