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When I suggest roughly polished strings instead of smooth heavily polished ones, I often receive a squint like I am interfering with personal choices on musical taste, or with technical issues of an instrument which I have never seen, let alone played.
It's always been difficult for me to explain why I am firm on this point. It has been difficult because it involves some production secrets which probably have not been shared before. They are not big secrets, but they need a bit of a technical explanation to become perfectly clear...
In this report, I finally explain why I never recommend smooth strings, and why I think there is always a better solution than that, even when you think you are an exception.
Ps: the responsibility of all the drawings is entirely on my shoulders, including the Merry Bunny dancing in the equisetum field.
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baroque music, double-bass strings, early music, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
Not only sheeps or lambs… you will be surprised to learn! My sources for this video are the letters of Roberto Salerni, the interviews to the old string makers in Salle, and Labarraque “Nuovo dizionario universale tecnologico delle arti e dei mestieri…”, “Minugiaio”, Venezia 1823
Read MoreFrom the famous BBC serie …the string maker is at minute 39′, the hands of the string maker belogs to Mr. George Stoppani
Read MoreHistorical gut strings manufacturing: cleaning with the thimble The last cleaning passage of the fresh gut was made using a copper thimble, pressing hard the thumb on the index finger. They did this 3 times a day for almost one week, using chemicals, and standing behind big tables with a parapet to protect them… G.
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