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When I suggest roughly polished strings instead of smooth heavily polished ones, I often receive a squint like I am interfering with personal choices on musical taste, or with technical issues of an instrument which I have never seen, let alone played.
It's always been difficult for me to explain why I am firm on this point. It has been difficult because it involves some production secrets which probably have not been shared before. They are not big secrets, but they need a bit of a technical explanation to become perfectly clear...
In this report, I finally explain why I never recommend smooth strings, and why I think there is always a better solution than that, even when you think you are an exception.
Ps: the responsibility of all the drawings is entirely on my shoulders, including the Merry Bunny dancing in the equisetum field.
Tags
baroque music, double-bass strings, early music, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
What happens to a string while polishing. (one more way to save money) The difference between a slightly polished string and a perfectly smooth string and why it is definitely worth to choose the first One. Want to know more? There’s a downloadable report here, it’s free, no opt-in required!
Read MoreWhy sometimes do we have to wait for our order at the string maker? Why he cannot just decide to make our 85? Sometimes planning a gut production is really frustrating: the gauge of the string is not only determined from the number of strands, but also from their width and from the twisting. The
Read MoreDrying, polishing, packaging The strings dried and still on the frames were polished by hand, using horse hair, or equisetum, polish stone or powder, or, later, sandpaper. About horse hairs: equisetum is also called horse tail, so for a long time wi thought that when they say we polished with horse tail, they were referring to
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