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On the sensibility required to make wound strings
Wound strings are a matter of hand sensibility and control of the string maker: even if a machine is involved, it is real craftsmanship to make a good wound string. The factors involved are many, from the quality and gauge of the core, how much it is dried (which affects the latter of course and also the percentage of core versus metal), and how much the metal wire is stretched from the hand of the maker (which again can result in a false string for the inconsistency of gauge of the wire but also of the core, because the hand pulling to much the wire will also pull the core and stretching it...)
In this old video Mimmo Peruffo is showing at Aquila strings factory how he makes a Cello C
For the complete video click here:
Bosko and Honey are two ukulele virtuoso players from Australia whom in 2008 toured the world with their project Ukulele Safari. Basically they were able to spend one year around the globe hosted from the network of ukulele players that they knew through their youtube channel. A great couple. They visited Vicenza participating to the first
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baroque music, double-bass strings, early music, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
That’s me , or at least this is what I was in Aquila from 2002 up to 2016… On gauge imposed on a string by the polishing process… why half polished are definitely better and why the quality control and the polishing must be done by the same person. Want to know more? There’s a
Read MoreGood gut strings: where do they come from? What does really make a difference for the quality of a gut string: in my opinion, the first factor which really affects the final quality of a string is that the numbers of gut strands used is balanced to the gauge we want to obtain. This is
Read MoreFrom the famous BBC serie …the string maker is at minute 39′, the hands of the string maker belogs to Mr. George Stoppani
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