From historical process to modern, from sheep to cow.
In this video I forgot to mention the most important thing: the use of bovine guts permitted to avoid a big part of the process, saving days of work and dozens of workers, and, last but not least, working with a standardized material, always same size.
If today a company is using sheep and is using historical process, that means all the previous steps I mentioned, employing all that people (at least 20) to keep the timing (to prevent the guts to decompose), and making something like 500 Strings per week (which, today, are not enough to pay for 20 people)
C’mon let’s twist again… We finally have our guts ready, well cleaned, softened, hardened, selected: we are ready to use the wheel and give some twisting! …then we take our protostrings and we put them on the frame, where we give more twisting, we check the tension is fine, we constantly check they don’t dry
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baroque music, double-bass strings, early music, gut strings, gut strings history, gut strings maintenance, gut strings manufacture, viol strings, viola da gamba strings, viola strings, violin strings, violoncello strings
Making modern strings at the D’Addario factory (quite old video). It looks like the machine is the same used in the past, to make handmade wound strings. You’re guided by Jim D’Addario himself explaining what is critical in the process, and the sensibility required by the worker.
Read MoreWhat happens to a string while polishing. (one more way to save money) The difference between a slightly polished string and a perfectly smooth string and why it is definitely worth to choose the first One. Want to know more? There’s a downloadable report here, it’s free, no opt-in required!
Read MoreGood gut strings: where do they come from? What does really make a difference for the quality of a gut string: in my opinion, the first factor which really affects the final quality of a string is that the numbers of gut strands used is balanced to the gauge we want to obtain. This is
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